The Weight of Sound and the Thickness of Air
Response to “Open Structure” curated by Grace Deveney for Public Parking
ground and cover me — Jessica Karuhanga
Review for C Magazine.
Shadowed Scaffolds: on Joanne Bristol’s back issues (Ackerman)
Feature for BlackFlash Expanded looking at the sedimentary investigation of Bristol’s thirty-year career.
Holding a Gap: the Work of Miki Mappin
Feature for BlackFlash Expanded considering the ways Miki Mappin’s artworks create and hold shared space.
G44 Centre for Contemporary Photography - Writer in Residence 2022
A series of essays on relationships to life, death, and the afterlife.
Instruments For Seeing
Text for the exhibition These Are The Edges by Larissa Tiggelers at Christie Contemporary, Toronto, ON.
“A Pea Can Be Chopped Up and Reassembled Into The Sun”
Review for Border Crossings Magazine.
Click Click Click - PDF
Essay for the exhibitions OVER THE EDGE//TOE THE LINE by Kasia Sosnowski & Ellie by Claire Ellen Paquet at Neutral Ground ARC, Regina, SK.
The Sacred Particularities of Care: On Julie Oh’s “Tunnel, Air, Mother”
Published by Peripheral Review.
Number One - PDF
Published in ‘The Paper’ by Good Press, Glasgow, UK
Spooky Action! At A Distance - PDF
Published by Forest City Gallery, London, ON for the exhibition ‘Eternal Wish Radio’ by Simon Fuh and Kenneth Jeffrey Kwan Kit Lau
Still Life With Dying Flowers - PDF - Audiobook
Self-published chapbook of very short essays
Hear Flora: A Response to Karen Asher’s Class
Published in BlackFlash magazine
Notes On Drawing as Masturbation and the Pursuit of Solitary Pleasure (pages 235-237)
Published in ‘Urgency Reader’ edited by Paul Soulellis